Wilhelmina Barns-Graham Trust
The Wilhelmina Barns-Graham Trust was established by the Scottish artist Wilhelmina Barns-Graham in 1987.
The Wilhelmina Barns-Graham Trust exists to enhance the reputation and understanding of Wilhelmina Barns-Graham as one of Britain’s most significant 20th century artists, and through her legacy supports young people and other individuals to fulfil their potential in the visual arts.
The Trust is registered as a charity in Scotland No. SCO16854.
The aims of the trust are:
- To foster, protect and promote the reputation of Wilhelmina Barns-Graham
- To advance the knowledge of the life and work of Wilhelmina Barns-Graham through exhibitions, research and publications
- To create an archive of key works of art and papers, to serve as a source of information about Wilhelmina Barns-Graham's life and works and to provide access to this collection
- To support and inspire art and art history students through the provision of bursaries and scholarships
Wilhelmina Barns-Graham bequeathed to the Trust a significant collection of paintings, drawings and prints. This enables the Trust to present her work in a number of different contexts through exhibitions and facilitate long term loans to public galleries and museums.
The extent of the collection offers a unique opportunity for art students and art historians to come to a fuller understanding of the evolution of her art, and her contribution to 20th Century British art.
The Trust also holds her private collection of paintings, drawings and prints, sculpture and ceramics by artists including Barbara Hepworth, Alfred Wallis, Roger Hilton, John Wells, Terry Frost, Robert Adam, Brian Wall, Rachel Nicholson and Bernard Leach.
All enquires and applications from public institutions who wish to loan works for long term display or for pictures to be included in temporary exhibitions are welcome.
Copyright & image requests
All images by Wilhelmina Barns-Graham are subject to copyright. The Wilhelmina Barns-Graham Trust handles all matters relating to use of Barns-Graham images.
All enquiries regarding use and permissions in respect of Wilhelmina Barns-Graham images should be sent to:
Rob Airey, Director
Wilhelmina Barns-Graham Trust
77 Brunswick Street
Or email email@example.com
In line with Wilhelmina Barns-Graham’s wishes to introduce her life and work to existing and new audiences, we organise and support a variety of exhibitions. Since 2004 the Trust has assisted with solo exhibitions at the following public galleries:
2005 Tate St Ives
2007 Trinity Hall, Cambridge
2007 Sherborne House, Sherborne, Dorset
2007 University of St Andrews
2009 Pier Arts Centre, Stromness, Orkney
2009-10 University of Leeds
2010 Plymouth City Museum and Art Gallery
2012 Burton Art Gallery and Museum, Bideford
2012 Perth Museum and Art Gallery
2012 Fleming Collection, London
2012 Inverness Museum and Art Gallery
2012 St Fergus Gallery, Wick
2012 Iona Gallery, Kingussie
2012 Gracefield Arts Centre, Dumfries
2012 City Art Centre, Edinburgh
2013 Dick Institute, Kilmarnock
2013 Hawick Museum
2016 Penlee House Art Gallery and Museum, Penzance
2016 Beverley Art Gallery
2017 Burton Art Gallery & Museum, Bideford
If you would like to discuss the possibility of having a Wilhelmina Barns-Graham exhibition, or you have any enquiries about previous, current or forthcoming exhibitions, please contact Geoffrey Bertram via the Trust email firstname.lastname@example.org
The artist is represented by a selective number of commercial art galleries.
Please note that the Wilhelmina Barns-Graham Trust will NOT enter into any discussion regarding availability of works for sale. For all enquiries about works available for purchase please contact the following galleries directly:
Exhibitions have also taken place at, and selected works are available through:
16 Coldbath Road, Harrogate HG2 0NA
15 St Mary’s Walk, Lambeth, London SE11 4UA
Telephone: 0207 734 0386
24 Fore Street, St Ives, Cornwall TR26 1HE
Back Road West, St Ives, Cornwall TR26 1NL
Mill Street, Aberfeldy, Perthshire PH15 2BG
Archive & Library
Wilhelmina Barns-Graham accumulated a significant number of art books, magazines and exhibition catalogues. Beyond publications on St Ives artists and modern British art in general there is some rarer material that represents her broader interest in European Art from between 1940 and 1960. The library is held alongside the art collection.
A significant research archive of Wilhelmina Barns-Graham material is held by the Special Collections Department at the University of St Andrews. The archive includes letters, diaries, interview transcripts, writings, newspaper cuttings and exhibition documentation. Access for researchers can be arranged by appointment with Special Collections and an online catalogue of this material is available here.
Between 2007 and 2011 the Wilhelmina Barns-GrahamTrust sponsored an annual lecture given in Wilhelmina Barns-Graham’s name. The annual lecture series is to be revived; look out for announcements. In the meantime the Trust provides or sponsors talks for the touring exhibitions available for hire to public galleries and museums.
The Barns-Graham Charitable Trust lecture was presented by Roger Bristow on Monday 7 November. The lecture venue was The Fleming Collection, London and the talk was The Two Roberts - Colquhoun and MacBryde.
The annual lecture took place on Thursday 9 December. Presented by Dr Martin Hammer, Reader in the History of Art at the University of Edinburgh, the venue was the Hawthornden Lecture Theatre at the National Gallery of Scotland, Edinburgh. The topic, Francis Bacon's Painting (1946): The Making of a Masterpiece focused on the various impulses that went into the creation of one of his most important early pictures, including its enigmatic references to 1930s Nazi propaganda imagery in the aftermath of the Second World War.
The lecture was given by Mel Gooding at The Stanley & Audrey Burton Gallery, University of Leeds, to coincide with the exhibition A Discipline of the Mind: The Drawings of Wilhelmina Barns-Graham which Gooding curated.
The second lecture was given by Mel Gooding who presented his overview of Wilhelmina Barns-Graham’s work. It was hosted by the National Galleries of Scotland.
The inaugural lecture was presented by Nedira Yakir on the work of Wilhelmina Barns-Graham. It was hosted by University College Falmouth.